Avid Xpress Pro Power! by Steve Julin

By Steve Julin

Unharness your creativity. enable "Avid Xpress R seasoned Power!" be your advisor to masterful storytelling utilizing Avid Xpress professional. paintings your approach via quite a few enhancing suggestions and examine not just how every one functionality works, but additionally whilst and why you can use it. This particular, hands-on booklet will not lavatory you down with dead technical jargon. in its place, you will specialise in real-world undertaking production. find out how to hopefully use sound, colour, and pics to inform a narrative. grasp the nuances of incorporating rhythm, velocity, and timing into your enhancing procedure. The e-book contains a whole bankruptcy devoted exclusively to shortcuts and how one can assist you entire your paintings extra fast and successfully. Harness the ability of Avid Xpress professional! positive aspects * examine from an Avid qualified teacher with over 18 years of expertise in modifying, directing and generating video * Real-life concepts are shared from an editor's point-of-view, no longer a working laptop or computer programmer's * starting with insurance of non-linear enhancing, this publication addresses all features of modifying from digitizing, to blending audio, to including titles, and eventually outputting initiatives to tape, the net or perhaps to DVD * the consequences chapters on my own make this ebook a must-read * the writer makes liberal use of screenshots for a step by step therapy of Avid's device set"

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Never assign two tapes with the same name. This will simply confuse the system. Always give each tape a specific and original name. 7. Make sure you give each tape a specific name. Selecting an Offset If you're capturing material from a DV source using FireWire, you might need to select an offset value for both your audio and video. This is simply a result of the slowness that is presented when using FireWire. To find which values should be set in the offset windows, you'll have to experiment with the camera or deck you're using to capture from.

57 58 Now it's time to determine your OUT point. Play your footage forward and place a Mark OUT point. The keyboard shortcuts are I for the IN point and O for the OUT point. To ensure that this is the portion of the clip you would like to edit, press the 6 key on the keyboard. By default, this plays your clip from the IN point to the OUT point. This is very handy when trying to end an audio edit exactly where you want. You can also play just to the OUT point. Place the Position Indicator just prior to the OUT point.

The default of 60 frames can add a lot of media file information to your hard drives. For example, let's say your sequence or finished edited master uses 100 shots and each shot is six seconds long. Essentially you'll need to re-capture 600 seconds or 10 minutes of material. If you decide to add an additional two seconds or 60 frames to the beginning and end of each clip, you're going to re-capture an additional 400 seconds. This might not seem like a point of concern now, but imagine re-capturing a sequence that contains thousands of edits and clips.

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