By Mike Davis
This re-creation of Mike Davis’s visionary paintings supplies an replace on la because the urban hits the twenty first century.
No city has been extra enjoyed or extra hated. To its professional boosters, "Los Angeles brings all of it together." To detractors, l. a. is a sunlit mortuary the place "you can rot with no feeling it." To Mike Davis, the writer of this fiercely based and broad- ranging paintings of social heritage, l. a. is either utopia and dystopia, a spot the place the final Joshua timber are being plowed below to make room for version groups within the barren region, the place the wealthy have employed their very own police to fend off highway gangs, in addition to armed Beirut militias.
In City of Quartz, Davis reconstructs LA's shadow background and dissects its airy economic system. He tells us who has the facility and the way they carry directly to it. He supplies us a urban of Dickensian extremes, Pynchonesque conspiracies, and a desperation directly out of Nathaniel Westa urban during which we might glimpse our personal destiny reflected with terrifying clarity.
In this re-creation, Davis presents a stunning replace at the city's present status.
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Additional resources for City of Quartz: Excavating the Future in Los Angeles (New Edition)
Fainstein, eds. 1999. The tourist city. New Haven: Yale University Press. 5. See, for example, Rosentraub, M. S. 1997b. Stadiums and urban space. In Sports, jobs, and taxes: The economic impact of sports teams and stadiums, ed. R. G. Noll and A. Zimbalist, 178–207. Washington, D. : The Brookings Institution. Also see Nelson, A. C. 2002. Locating major league stadiums where they can make a difference. Public Works Management and Policy, 7 (2): 98–114. Both works illustrate the impact the movement of economic activity can have relative to public policy goals.
The focus on redeveloped downtowns with sports, entertainment, and cultural amenities is tied to the idea that these assets attract and retain the human capital necessary to build a twenty-first century economy. Advocates for public investments in a wide-ranging set of amenities argue that these assets attract “the creative class” or idea generators that drive the twenty-first century economy. Does such a relationship really exist? ”53 Finally, some have argued that the focus on sports, the arts, and entertainment to redevelop downtown areas is led by business and political elites who are able to control the benefits from these sort of revitalization efforts while eschewing policies and programs that might produce benefits for a wider segment of the community.
It was not only that work and presentations had become wedded to experiences; it was that consumers had shifted their preferences to include a desire to be able to enjoy experiences through the unique entertainment produced by sports, arts, culture, and other amenities. Cities that offered the full range of these experiences were more desirable and businesses worried about being able to attract and retain the best talent sought locations that had the highest quality of life, the best mix of amenities, and a set of large-scale and neighborhood-based entertainment experiences that seemed to describe what America’s “creative class” (Florida, 2002) or “idea generators” wanted when they chose places to live.